harpa concert hall, reykjavik (2011)

The Harpa Concert Hall, located in the harbour area of Reykjavik, was designed by Henning Larsen Architects and Batteriid Architects. The Danish-Icelandic artist, Olafur Eliasson, collaborated on the design of the facades taking inspiration from the Icelandic landscape and the crystalline structure of basalt columns, which give a strong sense of identity and place to the building. It is a kind of people’s palace for the Icelandic capital – a cultural centre but also a public space and place to meet, protected from the elements. The building contains concert and performance spaces, and international standard conference facilities – Reykjavik is ideally located between Europe and the US. HarpaPlan

the main atrium facing the Nordurljos and Eldborg concert halls
looking through the crystalline facade at sunset

The Icelandic landscape: inspiration for the building design from ice, snow, rock and water, from the colours and the effects of natural light.

Interesting features of the acoustic design of the concert hall interiors include the perimeter screens of twisted timber slats, and adjustable felt blinds behind, creating the tools for varying the acoustic to suit different types of musical and speech-based performance.

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The Nordurljos concert hall
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Detail of the twisted timber slatted acoustic screen

herring gull collages

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Having done some research into bird vocalisation and the technology of the avian syrinx, I became interested in how the Herring Gull adopts a particular pose to express a particular call: the relationship of sound to form. The dynamic shapes of the Mew Call (head down) and the Long Call (head up) express the production of sound energy in these two loud penetrating calls. I made the collages to experiment with ideas of composition and three-dimensional form in relation to a notional horizontal – a water line.

photos: thanks to maarten van kleinwee  https://gullstothehorizon.wordpress.com