Richard Vijgen’s work explores visualising the invisible world of data. He uses accurate raw data and produces arresting images that bring the science of radio waves to life and provoke questions about the data-saturated world we inhabit.
The “WIFI Impressionist” project was inspired by the paintings of William Turner. See <http://www.wifiimpressionist.com/> for a movie of the drawing machine in action.
Technical Description: A 2.4 GHz Yagi Antenna is mounted on a 360° pan tilt mechanism controlled by a Raspberry Pi. The controller scans the WiFi spectrum in “observer mode”, capturing all packages it can receive regardless of the network they are on. Each device that it picks up is given a position in three dimensional space based on the horizontal and vertical angle of the antenna and the signal strength. Every packet it receives is then positioned and drawn at a position relative to its emitting source. A mobile plotter that is connected to the controller then draws the landscape in front of it based on the three dimensional model. The longer the plotter is allowed to run, to denser the image becomes.
Above: Images of the three-dimensional model
Below: Drawings


Rotterdam 06-01-2019




The suspended cones of Voula Gounela’s installation in an upper room of the fortified hill fort, rotate gently in the slight breeze. It’s 33 degrees, a hot June day in the ‘old town’ of Kardamyli in the Mani, South Peleponnese, and the sound of cicadas surges over the battlements as we explore the clustered masonry buildings of this recently restored heritage site. Gounela’s title “peritropes” means ‘turning around’ or ‘revolution’ in Ancient Greek. In Hellenistic Greek it meant turning an opponent’s arguments against himself or herself. The cones are of three materials, aluminium, thick paper and glazed ceramic. The thick paper appears to be imprinted from the inscribed outer surface of the aluminium. The curved aluminium surface seems to attract and reflect the little light in the room. You feel the weight of the dark glazed clay cones. One of these has made contact with the floor, like the seabed, as the others, fish-like, turn and shimmer in the gloom.